After one too many distasteful
meals at his usual gentleman's club, Beau Brummell opens his own named
Watier's. It isn't long before the club's exquisite cuisine and high
gambling stakes attract London's aristocracy to Beau's doors. Bu the
fashionable establishment becomes embroiled in scandal when Lieutenant
Nevill, inexperienced in games of chance, believes he's been cheated
at cards by government official Theobald Jacombe. The confrontation
escalates when Jacombe make off-color remarks about the lieutenant's
intended . . . infuriating the young officer into challenging him to
a duel.
Before Beau can talk Nevill
out of this course of action, Jacombe is found murdered at Vauxhall's
Pleasure Gardens and the lieutenant is detained as the most likely
suspect. Convinced of Nevill's innocence, the master of style must deduce
who would want to kill a respected member of the Home Office with a
supposedly spotless reputation . . .
The fourth
puzzle for real-life dandy Beau Brummell clever, compassionate
friend to the Prince of Wales in Regency England (The
Bloodied Cravat, 2002, etc.) begins in Watier's,
the London gambling club he owns. When young Lieutenant Nevill lost
a fortune at play, the generous Brummell forgave the debt. Now Nevill's
in even hotter water. In response to his accusation that respected Home
Office official Theobald Jacombe has cheated at cards, Jacombe has challenged
him to a duel. The evening before the event is to take place, an unknown
party make it unnecessary by shooting Jacombe to death at Vauxhall Gardens,
an entertainment complex, and Nevill is arrested for the killing. Beau,
convinced of his innocence, works to uncover Jacombe's deeply hidden
unsavory past and its connection to Molly, Nevill's beloved. While she's
waiting for Nevill to carry her off, Molly lives and works at Haven
of Hope, a women's shelter run by Beau's close friend Lydia Lavender,
whose policeman father is in charge of the case. Before it's all over,
Nevill's nasty grandfather will become a second murder victim and Beau
will draw a confession from a surprising killer. Relaxed storytelling
replete with clever plotting, vivid character portraits, and period
detail.
Kirkus Reviews 2003
April #1